Friday, June 26, 2009

Episode 9 is Alive

It's funny how life works out sometimes. I like to think that things happen for a reason and the casting of Episode 9 has definitely had several moments that fall into something of that sort.

As of last night, we finally have this episode fully cast.

Not that anything has gone horribly wrong (although I have on a couple of occasions joked about the universe not wanting this script to be produced)it's just the normal pitfalls of producing an online show. Hell, the normal pitfalls of producing in general.

But, in the end, fortune has smiled on us and the fixes have proven to be pretty darn awesome.

I can't wait for our rehearsal next week, to finally get all of these players into the same room and watch them interact.

So now we go into the midst of rehearsing, prop finding, costuming, location scouting and so on.

It's going to be good.

Very, very good.


Tanya

Wednesday, June 3, 2009

The Slip

Reason has given me the slip. At least it did about a month and a half ago when I wrote the lyrics for the tune that I’m about to share with you.

Tune? Did someone say “tune?!” Yes. I did. Haven’t you been paying attention? No? You’re looking at that graphic there on the right, aren’t you? It is pretty swell. You’ll get to see a lot more of it in the future. But that’s a topic for another post.

Today it’s New Music Wednesday!

The only reason to get out of bed in the middle of the week when you really think about it.

Anyway, today’s offering is in the classic 80s style. In case you don’t remember, in the 80s there was strange fascination with the 50s. I blame the movie Grease. Even though it came out in ’78. That’s close to the 80s. And things took longer to catch on back then. Yeah, sure. Why not.

But some of the most famous 50s/80s musical crossbreeding was accomplished by the new wave band The Cars. They were unmistakably planted firmly in the 80s new wave scene, but there was a lot of 50s throwback in their style. Especially in Ric Okasec’s vocals.

I’ve always liked The Cars. When I think of the 80s, The Cars invariably come to mind. That’s why they were a shoo-in to be emulated on the LFTI Episode 8 soundtrack.

Now, I’m not sure exactly how well I actually emulated them. I wasn’t really going for a sound-alike or anything. I was mainly going for their essence. Plus, they’re very talented musicians and I’m just one dude with half of their talent (on a good day).

The lyrics were something that came as I was composing the song, though they weren’t finished until after the episode aired. This didn’t matter too much since the version in the episode is instrumental. Like 80s musak. In case you’re curious, you can hear it in Part 4 after the “time-elapse” montage (around “Universal Truth #37”).

But now you can hear the lyrics here! They’re fascinating. I had a lyrical theme for all of the music in this episode. Since the episode is about a cult and brainwashing and such, all of the songs have something to do with mind-control or subservience or group think (albeit, sometimes very tenuously).

So, without further ado, I give you The Slip!




Pretty slippery.

You can also hear this song on the LFTI Facebook Page! Why not go there and become a fan if you haven’t already? Sure. It’ll be fun!

LFTI Facebook Page

Now I’m off to get some very important design work done. What am I designing? Well, it’s for LFTI…

And it’s a secret.

Ooooooohhhhhh!

ROBB


Fun Fact: If you listen closely just before the vocals start in The Slip, you can hear my Blackberry go off. It sounds like a baseball hitting a metal fencepost (at least that’s what it sounds like to me since, during my little league days, most of my hits went foul. Straight behind me). Or, if you will, it sounds like a metal chime. A little “dong.” Maybe that’s a poor choice of words. And hurtful to some. I guess the real question is “why the heck didn’t I edit it out?!” The answer: because I didn’t know it was there until after I mastered the tune. And now I kind of like it anyway.